Heavy Metal (1981)

Inspired by stories from the fantasy graphics magazine Heavy Metal, this five-part animated feature combines the talents of hundreds of artists and animators from 17 different countries. A glowing green orb called Loc-Nar that contains the sum total of all evil in the universe travels through space and time, spreading violence and discord in its wake.

The stories that follow demonstrate Loc-Nar's malevolent presence throughout the universe. In New York in the year 2023, cabbie Harry Canyon picks up a fare who turns out to have Loc-Nar in her possession, and it turns out to be one trip he wishes that he had never made. In contemporary suburban America, a nerdy high school kid finds the orb in his backyard and is transported to a comic-book universe where he's a mighty warrior and famous spoiler of women. A robot created by an alien race falls in love with a secretary from Earth who was kidnapped by his masters, while she is at once fascinated and repelled by his sexual talents. And finally, Loc-Nar crashes into a mountain, and a world of fantasy and danger spontaneously appears in its wake, ruled by The Defender, a beautiful amazon who rides on a giant bird. The voice cast for Heavy Metal includes John Candy, Harold Ramis, Joe Flaherty, Eugene Levy, Richard Romanus, and John Vernon. The sound track features selections by Black Sabbath, Blue Oyster Cult, Nazareth, Cheap Trick, Devo, and Grand Funk Railroad. ~ Mark Deming, Rovi

R, 1 hr. 30 min.
Directed By: Gerald Potterton , Jimmy T. Murakami
Written By: Len Blum, Dan Goldberg

Free movie thanks to: Skeletor Rathbone

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Brazil (1985)

Brazil constitutes Terry Gilliam's enormously ambitious follow-up to his 1981 Time Bandits. It also represents the second installment in a trilogy of Gilliam films on imagination versus reality, that began with Bandits and ended in 1989 with The Adventures of Baron Munchausen. To create this wild, visually audacious satire, Gilliam combines dystopian elements from Orwell, Huxley and Kafka (plus a central character who mirrors Walter Mitty) with his own trademark, Monty Python-esque, jet black British humor and his gift for extraordinary visual invention. 

The results are thoroughly unprecedented in the cinema. Jonathan Pryce stars as Sam Lowry, a civil servant who chooses to blind himself to the decaying, drone-like world around him. It's a world marred by oppressive automatization and towering bureaucracy, and populated by tyrannical guards who strongarm lawbreakers. And Lowry is stuck in the middle of this nightmare. Whenever real life becomes too oppressive, Sam fantasizes (to the tune of Ary Baroso's 1930s hit "Brazil") about sailing through the clouds as a winged superhero, and rescuing beautiful Jill Layton (Kim Greist) from a giant, Samurai warrior. The omnipresent computer that controls everything in the "real" world malfunctions, causing an innocent citizen to be arrested and tortured to death. When Sam routinely investigates the error, he meets - and pursues Jill , literally the girl of his dreams. But in real life, she's a tough-as-nails truck driver who initially wants nothing to do with him. It turns out that she is suspected of underground activities, in connection with a terrorist network wanted for bombing public places. The price Sam pays for his association with her is a close encounter with the man in charge of torturing troublesome citizens (Michael Palin). He is rescued - at the last minute - by maintenance man Harry Tuttle (Robert de Niro) who moonlights as a terrorist, but that only represents the beginning of his plight, for now the "system" is onto him. Gilliam ran into enormous problems with Brazil. Universal - which produced the picture - originally slated it for release in 1984, but the studio - intimidated by the film's whopping length of 142 minutes - demanded that Gilliam trim the film to bring it in under two hours and alter the pessimistic ending. Gilliam refused; Universal shelved the picture for a year. In response, the director took out a full page ad in Variety asking studio president Sid Sheinberg when the film would be released. Sensing tremendous pressure, Universal bowed to Gilliam's insistence on fewer cuts but still demanded a happy ending. Gilliam trimmed only eleven minutes and altered the conclusion just slightly (instead of cutting to black, it fades into puffy white clouds on a blue sky, with a reprise of the title tune). It was thus released in early 1985 at 131 minutes, and of course became a seminal work; many critics regarded it at the time as the best film of the eighties. ~ Nathan Southern, Rovi (http://www.rottentomatoes.com)

R, 2 hr. 11 min. 

Drama, Science Fiction & Fantasy, Comedy 

Directed By: Terry Gilliam

Written By: Terry Gilliam, Tom Stoppard, Charles McKeown

In Theaters: Feb 20, 1985

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