Duel (1972)

Driving down a deserted Southern California highway at a safe and sane 55 miles per hour, David Mann (Dennis Weaver) steps on the pedal to pass a large gas trailer truck. Moments later, the truck is back, dangerously tailgating Mann before abruptly cutting him off. 

For the next 90 minutes, Mann and the never-seen truckdriver are pitted against one another in a motorized duel to the death. Author Richard Matheson conceived Duel after a similar experience with a reckless trucker. 

The story first appeared in Playboy magazine, then was picked up for adaptation by the producers of The ABC Movie of the Week. The director chosen to helm Duel on location in Soledad Canyon was a bright 23-year-old who'd shown promise on such series as Night Gallery and Columbo: Steven Spielberg. First telecast on December 18, 1971, Duel was so popular that a somewhat longer version (with added violence and profanity) was prepared for theatrical release in 1983. ~ Hal Erickson, Rovi http://www.rottentomatoes.com

PG, 1 hr. 30 min.

Directed By: Steven Spielberg

Written By: Richard Matheson

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Attack of the Killer Tomatoes! (1978)

A group of scientists band together to save the world from mutated tomatoes that KILL! 

PG, 1 hr. 27 min.
Horror, Science Fiction & Fantasy, Comedy

Directed By: John De Bello 

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L'uccello dalle piume di cristallo (The Bird With the Crystal Plumage) (1969)

This trend-setting thriller put its director, Dario Argento, on the international map and began a flood of imitative mystery-horror hybrids which dominated Italian genre output in the early 1970s.

Tony Musante, best known for the television series Toma, portrays an American who witnesses the murder of a woman at a trendy Rome art gallery. Before long, Musante finds himself targeted by a mysterious killer. Based on a story by Byron Edgar Wallace, Bird and hints at the flamboyance which would become Argento's trademark. This and Argento's subsequent two films Il Gatto a Nove Code and Quattro Mosche di Velluto Grigio were much less horror-oriented than his later work. ~ Robert Firsching, Rovi (http://www.rottentomatoes.com)

 

PG, 1 hr. 38 min.
Drama, Art House & International, Mystery & Suspense

Directed By: Dario Argento

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Poltergeist (1982)

With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, Rovi (http://www.rottentomatoes.com/)

PG, 1 hr. 54 min.
Horror

Directed By: Tobe Hooper

Written By: Michael Grais, Mark Victor, Steven Spielberg

In Theaters: Jun 4, 1982 Wide
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Night of the Living Dead (1968)

When unexpected radiation raises the dead, a microcosm of Average America has to battle flesh-eating zombies in George A. Romero's landmark cheapie horror film. Siblings Johnny (Russ Streiner) and Barbara (Judith O'Dea) whine and pout their way through a graveside visit in a small Pennsylvania town, but it all takes a turn for the worse when a zombie kills Johnny. Barbara flees to an isolated farmhouse where a group of people are already holed up. 

Bickering and panic ensue as the group tries to figure out how best to escape, while hoards of undead converge on the house; news reports reveal that fire wards them off, while a local sheriff-led posse discovers that if you "kill the brain, you kill the ghoul." After a night of immolation and parricide, one survivor is left in the house.... Romero's grainy black-and-white cinematography and casting of locals emphasize the terror lurking in ordinary life; as in Alfred Hitchcock's The Birds (1963), Romero's victims are not attacked because they did anything wrong, and the randomness makes the attacks all the more horrifying. Nothing holds the key to salvation, either, whether it's family, love, or law. Topping off the existential dread is Romero's then-extreme use of gore, as zombies nibble on limbs and viscera. Initially distributed by a Manhattan theater chain owner, Night, made for about 100,000 dollars, was dismissed as exploitation, but after a 1969 re-release, it began to attract favorable attention for scarily tapping into Vietnam-era uncertainty and nihilistic anxiety. By 1979, it had grossed over 12 million, inspired a cycle of apocalyptic splatter films like The Texas Chainsaw Massacre (1974), and set the standard for finding horror in the mundane. However cheesy the film may look, few horror movies reach a conclusion as desolately unsettling. ~ Lucia Bozzola, Rovi
(http://www.rottentomatoes.com/)
 

R, 1 hr. 30 min.

 
Horror, Classics, Cult Movies

Directed By: George A. Romero

Written By: John Russo, George A. Romero

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Don`t go in the house (1979)

A disturbed man descends into an inferno of madness in this thriller. Donald Kohler (Dan Grimaldi) was raised by an abusive mother who frequently punished him by thrusting his arms into open flame. As an adult, Kohler has developed a malign obsession with fire and works at a garbage incineration plant while still living at his mother's house. One night, Kohler returns home to discover his mother has died, but after a brief moment of freedom he begins hearing her voice commanding him to punish women who might tempt her errant son. Kohler builds a fireproof room in the house and starts luring women he meets at random to his home, where they're burned alive by the disturbed pyromaniac. Bobby (Robert Osth), one of his few friends at work, tries to help bring Kohler out of his shell and even fixes him up with a date, but an evening at a disco takes an ugly turn, revealing Kohler's deadly obsession. Don't Go In The House was the first film role for Dan Grimaldi, who later went on to play Patsy Parisi on the HBO series The Sopranos. ~ Mark Deming, Rovi

 
R, 1 hr. 30 min.
Horror

Directed By: Joseph Ellison

Written By: Joseph Ellison, Ellen Hammill

In Theaters: Mar 28, 1980 Limited

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Werewolves on wheels (1971)

This biker-horror oddity was directed by former editor Michel Levesque (Sweet Sugar). The plot concerns a motorcycle gang, The Devil's Advocates, led by Adam (Stephen Oliver). The bikers are turned on to Satanism by a creepy monk (Severn Darden), leading to lengthy scenes depicting various occult rituals, drug trips, and female nudity. 

The cycle-riding werewolf only appears in the last few minutes of the film, but cult devotees will be happy in the interim watching such minor celebrities as Billy Gray, the child star of Father Knows Best, who was fresh off a marijuana arrest, and Barry McGuire, singer of the seminal '60s protest song "Eve of Destruction." Stunt coordinator Chuck Bail went on to direct The Gumball Rally (1976) and several blaxploitation films. ~ Robert Firsching, Rovi (http://www.rottentomatoes.com)

R, 1 hr. 25 min.

Drama, Horror, Classics, Comedy

Directed By: Barry McGuire , Billy Gray

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Rabid (1977)

For his second commercial feature, following a pair of experimental films and 1977's Shivers, Canadian horror auteur David Cronenberg continued to mine the themes of disease and mutation that were already becoming his perennial concerns. Marilyn Chambers stars as Rose, an attractive young woman who becomes horribly injured in a motorcycle accident. Spirited away to the clinic of Drs. Dan and Roxanne Keloid (Howard Ryshpan and Patricia Gage), a pair of experimental plastic surgeons, Rose becomes an unwitting guinea pig in an operation that grafts genetically modified tissue into her body. 

Waking from her coma to find she is unable to ingest normal food, Rose unwittingly feeds on human blood by means of a phallic organ that emerges from a vulval orifice in her armpit. Within hours of providing Rose with sustenance, her victims fall prey to an incurable, highly contagious disease that turns them into raving lunatics who foam at the mouth and attack others indiscriminately. Soon, Montreal is under martial law, but nobody can find the Typhoid Mary whose vampiric urges are driving the epidemic -- not even Hart (Frank Moore), Rose's befuddled boyfriend. Although she is best-known for her starring role in the crossover porn epic Behind the Green Door, Chambers actually received her start in features with 1970's The Owl and the Pussycat. Rabid also stars TV and stage veteran Joe Silver as Murray Cypher, a mutual friend of Hart and the Keloids. ~ Brian J. Dillard, Rovi
(http://www.rottentomatoes.com)

R, 1 hr. 31 min. 
Drama, Horror, Art House & International
Directed By: David Cronenberg 
Written By: David Cronenberg
In Theaters: Jan 1, 1979 Wide

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