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El Topo, 1971

This violent and allegorical Mexican western attracted a cult following in its day. It is the story of El Topo, a gunslinger who sets out for revenge against the outlaws who slew his wife. ...

Faster Pussycat Kill Kill (1965)

Exploitation maven Russ Meyer created a cult classic with this turbo-charged action film. Three curvaceous go-go dancers in a cool sports car go on a desert crime spree, led by Varla (the amazing Tura Satana), a busty, nasty woman dressed entirely in black.

L'uccello dalle piume di cristallo (The Bird With the Crystal Plumage) (1969)

This trend-setting thriller put its director, Dario Argento, on the international map and began a flood of imitative mystery-horror hybrids which dominated Italian genre output in the early 1970s.

Gojira (1954)

One of the longest-running series in film history began with Ishiro Honda's grim, black-and-white allegory for the devastation wrought on Japan by the atomic bomb..

MAD MAX (1979)

This stunning, post-apocalyptic action thriller from director George Miller stars Mel Gibson as Max Rockatansky, a policeman in the near future who is tired of his job.

Showing posts with label Zombies. Show all posts
Showing posts with label Zombies. Show all posts

Monday, April 22, 2013

Night of the Living Dead (1968)


When unexpected radiation raises the dead, a microcosm of Average America has to battle flesh-eating zombies in George A. Romero's landmark cheapie horror film. Siblings Johnny (Russ Streiner) and Barbara (Judith O'Dea) whine and pout their way through a graveside visit in a small Pennsylvania town, but it all takes a turn for the worse when a zombie kills Johnny. Barbara flees to an isolated farmhouse where a group of people are already holed up. 

Bickering and panic ensue as the group tries to figure out how best to escape, while hoards of undead converge on the house; news reports reveal that fire wards them off, while a local sheriff-led posse discovers that if you "kill the brain, you kill the ghoul." After a night of immolation and parricide, one survivor is left in the house.... Romero's grainy black-and-white cinematography and casting of locals emphasize the terror lurking in ordinary life; as in Alfred Hitchcock's The Birds (1963), Romero's victims are not attacked because they did anything wrong, and the randomness makes the attacks all the more horrifying. Nothing holds the key to salvation, either, whether it's family, love, or law. Topping off the existential dread is Romero's then-extreme use of gore, as zombies nibble on limbs and viscera. Initially distributed by a Manhattan theater chain owner, Night, made for about 100,000 dollars, was dismissed as exploitation, but after a 1969 re-release, it began to attract favorable attention for scarily tapping into Vietnam-era uncertainty and nihilistic anxiety. By 1979, it had grossed over 12 million, inspired a cycle of apocalyptic splatter films like The Texas Chainsaw Massacre (1974), and set the standard for finding horror in the mundane. However cheesy the film may look, few horror movies reach a conclusion as desolately unsettling. ~ Lucia Bozzola, Rovi
(http://www.rottentomatoes.com/)
 
R, 1 hr. 30 min.
 
Horror, Classics, Cult Movies
George A. Romero
John Russo, George A. Romero

Free movie thanks to  Tobatto2287

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